Siempre que te pregunto
Que cuándo cómo y dónde
Tú siempre me respondes
Quizás, quizás, quizás
Y así pasan los días
Y yo desesperando
Y tú, tú, contestando
Quizás, quizás, quizás
Estás perdiendo el tiempo
Pensando, pensando
Por lo que más tú quieras
Hasta cuando, hasta cuando
I've been wanting to watch "In the Mood for Love" for ages especially since it has spilled into common culture and passing comments of "one of those" movies, like "Farewell my Concubine", or "Raise the Red Lantern".
It was definitely a slow film, but sometimes you don't need words, action or conversations in order to entertain. After all, passing through life, I can't help but figure that reality is defined by the silences. Like walking through a foreign city by yourself and being silent while the noises of traffic, people and activity overwhelms. Surprising isn't it? That the island of quiet can exist. I often feel that I'm quietest when I'm in the midst of activity.
So this movie captures that perfectly, those silent walks to a quick takeaway. The rain and conversations and routine. Completely mundane, but her Cheongsams make me wish they were common day dresses nowadays. The absence and pain of a cheating spouse turned slightly comical when they were re-enacting the scenes of confrontation. Where imitating the person that is hurting you becomes the only salvation to get through reality.
But the ending was something else. When the word flashed on the screen, I was left with the stunned silence that comes with completely unfulfilled endings. Seemingly no one is ever happy by the end of chinese movies.
That's life isn't it? Where two people's threads of life connect and dissipate, overlap and diminish. What you're left with is nostalgia.
νόστοςἄλγος.
But, oh, so, restrained! Throughout.