Ignoring the fact that I actually am now officially unemployed and I have done squat when it comes to parcelling out CV's to company A, B and C, and following up on case interview books loaned over the years and digging through old emails to dust off prep material and and and, ah fuck it man. Emotionally still a little distraught, but truth is that a bit more...aware that it was for the best. No more suffering, no more long drawn out what if's and days facing hospitals and tests. An eventual end staved off by the miracles of modern medicine. Maybe when the finale comes there really is a lot of peace to it, even if its accompanied by tear soaked faces and hearts forever missing a piece. Forever. That word still scares me as it lurks around the corner, but nothing in this life is forever anyway. Nothing.
So we pick up the pieces, we re-forge our routines, and we close the hole with time and depending on each other.
Went to Shanghai for the 3rd Tango Festival, wasn't planning on going, but decided I had to, to, I don't know, prove to myself that life goes on. That time stops for no man. Along the way encountered frustration, old friends and a lot of sleep deprived times. Also, pain. PAINNNNN.
There's something to be said about Tango. I'm at a stage of bipolarity with it. Super happy with lessons, with things I'm learning, with the way I am moving, but curiously, still not getting that je ne sais quo attitude that some girls have to the dance and how they draw guys to them like bees. Seriously! I can dance damnit! Ask me. Then I'll probably trip over your feet or knock down the tablecloth at the after milonga with water resting on it. True story.
Bloody frustrating. I was already complaining that I was missing the anticipation of getting a guy to ask me to dance, but wtf, I just got handed a big dose of my own medicine.
That being said, of the whole period, the best dance I had was in the afternoon milonga that was totally unplanned, on a superb floor, with a superb deejay. Brilliant, brilliant connection and tons of swivelling-ness involved, but stable, very very stable. That and the ever innovative Nick who started tango in Portland! His dancing was super refreshing after a bit too much traditional going on. Kudos to someone who can throw in new moves to rather old songs.
Also, have finally figured out the key, which was staring me in the face the whole time anyway. Disassociation. Always. The best female dancers have that hip swivelling thing down pat and taking the ladies technique class with Virginia made me realize exactly what every single damn teacher I've ever had from Mtango/MATC days to now has been trying to get us to understand. It's all in the disassociation.
So, there were some bright spots, but on the whole, sitting down for the majority of 4 hours is bloody not fun. A bit over the pretentiousness of tango =.=.
This has definitely reinforced a few points for me though...the best dances are unanticipated, and are likely in the most casual settings, where it doesn't matter how you dance and it's all about having fun. Simple. Like learning in classrooms eons ago, prancing around with the chacarera with CK, or on dance floors with gaping tourists in the middle of KL. Fun.
Back to reality anyway.